Showing posts with label political theory. Show all posts
Showing posts with label political theory. Show all posts

The Essential Zizek: The Complete Set (The Sublime Object of Ideology, The Ticklish Subject, The Fragile Absolute, The Plague of Fantasies: 4 books)

The essential texts for understanding Žižek’s thought.


Slavoj Žižek, the maverick philosopher, author of over 30 books, acclaimed as the ‘Elvis of cultural theory,’ and today’s most controversial public intellectual. His work traverses the fields of philosophy, psychoanalysis, theology, history and political theory, taking in film, popular culture, literature and jokes—all to provide acute analyses of the complexities of contemporary ideology as well as a serious and sophisticated philosophy.

His recent films The Pervert's Guide to the Cinema and Žižek! reveal a theorist at the peak of his powers and a skilled communicator. Now Verso are making these four classic titles, that stand as the core of his ever-expanding life’s work, available as new editions. Each is beautifully repackaged, including new introductions from Žižek himself. Simply put, they are the essential texts for understanding Žižek’s thought and thus cornerstones of contemporary philosophy.



The Fragile Absolute: Or, Why Is the Christian Legacy Worth Fighting For?

by Slavoj Žižek

Argues that the subversive core of the Christian legacy forms the foundation of a politics of universal emancipation.

One of the signal features of our era is the re-emergence of the 'sacred' in all its different guises, from New Age paganism to the emerging religious sensitivity within cultural and political theory.

The wager of Zizek's The Fragile Absolute – published here with a new preface by the author – is that Christianity and Marxism can fight together against the contemporary onslought of vapid spiritualism. The revolutionary core of the Christian legacy is too precious to be left to the fundamentalists.

The Plague of Fantasies

by Slavoj Žižek

The relations between fantasy and ideology, and the deluge of digital phantasms surrounding us.

Modern audiovisual media have spawned a 'plague of fantasies', electronically inspired phantasms that cloud the ability to reason and prevent a true understanding of a world increasingly dominated by abstractions—whether those of digital technology or the speculative market.

Into this arena, enters Žižek: equipped with an agile wit and the skills of a prodigious scholar, he confidently ranges among a dazzling array of cultural references—explicating Robert Schumann as deftly as he does John Carpenter—to demonstrate how the modern condition blinds us to the ideological basis of our lives.

The Sublime Object of Ideology

by Slavoj Žižek


Exploring the ideologies fantasies of wholeness and exclusion which make up human society.

The Sublime Object of Ideology: Slavoj Zizek's first book is a provocative and original work looking at the question of human agency in a postmodern world. In a thrilling tour de force that made his name, he explores the ideological fantasies of wholeness and exclusion which make up human society.


The Ticklish Subject: The Absent Centre of Political Ontology

by Slavoj Žižek

A specter is haunting Western thought, the specter of the Cartesian subject.

The Ticklish Subject: The Absent Centre of Political Ontology: A specter is haunting Western thought, the specter of the Cartesian subject. In this book Slavoj Zizek unearths a subversive core to this elusive specter, and finds within it the indispensable philosophical point of reference for any genuinely emancipatory project.




Slavoj Žižek

Slavoj-zizekSlavoj Žižek is a Slovenian philosopher and cultural critic. He is a professor at the European Graduate School, International Director of the Birkbeck Institute for the Humanities, Birkbeck College, University of London, and a senior researcher at the Institute of Sociology, University of Ljubljana, Slovenia. His books include Living in the End TimesFirst as Tragedy, Then as Farce, In Defense of Lost Causes, four volumes of the Essential Žižek, and many more.



Henri Lefebvre: Critique of Everyday Life






Henri Lefebvre's magnum opus: a monumental exploration of contemporary society.


Henri Lefebvre’s three-volume Critique of Everyday Life is perhaps the richest, most prescient work by one of the twentieth century’s greatest philosophers. Written at the birth of post-war consumerism, the Critique was a philosophical inspiration for the 1968 student revolution in France and is considered to be the founding text of all that we know as cultural studies, as well as a major influence on the fields of contemporary philosophy, geography, sociology, architecture, political theory and urbanism. A work of enormous range and subtlety, Lefebvre takes as his starting-point and guide the “trivial” details of quotidian experience: an experience colonized by the commodity, shadowed by inauthenticity, yet one which remains the only source of resistance and change.

This is an enduringly radical text, untimely today only in its intransigence and optimism.

Critique of Everyday Life Volume One: Introduction

by Henri Lefebvre

Translated by John Moore

Preface by Michel Trebitsch

A groundbreaking analysis of the alienating phenomena of daily life under capitalism.


Critique of Everyday Life Volume Two: Foundations for a Sociology of the Everyday

by Henri Lefebvre

Translated by John Moore

Preface by Michel Trebitsch

Identifies categories within everyday life, such as the theory of the semantic field and the theory of moments.


Critique of Everyday Life Volume Three: From Modernity to Modernism

by Henri Lefebvre

Translated by Gregory Elliott

Preface by Michel Trebitsch

Explores the crisis of modernity and the decisive assertion of technological modernism.


Henri Lefebvre (1901-1991), former resistance fighter and professor of sociology at Strasbourg and Nanterre, was a member of the French Communist Party from 1928 until his expulsion in 1957. He was the author of sixty books on philosophy, sociology, politics, architecture and urbanism.





See also:


Jacques Ranciere: History, Politics, Aesthetics





The French philosopher Jacques Rancière has influenced disciplines from history and philosophy to political theory, literature, art history, and film studies. His research into nineteenth-century workers' archives, reflections on political equality, critique of the traditional division between intellectual and manual labor, and analysis of the place of literature, film, and art in modern society have all constituted major contributions to contemporary thought. In this collection, leading scholars in the fields of philosophy, literary theory, and cultural criticism engage with Rancière's work, illuminating its originality, breadth, and rigor, as well as its relevance to current debates. They also explore the relationships between Rancière and the various authors and artists he has analyzed, ranging from Plato and Aristotle to Flaubert, Rossellini, Auerbach, Bourdieu, and Deleuze.

The contributors to this collection do not simply elucidate Rancière's project; they also critically respond to it from their own perspectives. They consider the theorist's engagement with the writing of history, with institutional and narrative constructions of time, and with the ways that individuals and communities can disturb or reconfigure what he has called the "distribution of the sensible." They examine his unique conception of politics as the disruption of the established distribution of bodies and roles in the social order, and they elucidate his novel account of the relationship between aesthetics and politics by exploring his astute analyses of literature and the visual arts. In the collection's final essay, Rancière addresses some of the questions raised by the other contributors and returns to his early work to provide a retrospective account of the fundamental stakes of his project.

Contributors. Alain Badiou, Étienne Balibar, Bruno Bosteels, Yves Citton, Tom Conley, Solange Guénoun, Peter Hallward, Todd May, Eric Méchoulan, Giuseppina Mecchia, Jean-Luc Nancy, Andrew Parker, Jacques Rancière, Gabriel Rockhill, Kristin Ross, James Swenson, Rajeshwari Vallury, Philip Watts

"What makes this the book that everyone interested in Jacques Rancière has to have is its incomparable roster of contributors. Rancière himself sets a standard of intellectual seriousness, and the contributors honor him by wrestling strenuously with his thought. They illuminate the trajectory of that thought and the connections between the historian of class and the philosopher of equality, the thinker of politics and the thinker of aesthetics. You can see why Rancière is one of the few French thinkers creating an ever increasing excitement in North America."--Bruce Robbins, author of Upward Mobility and the Common Good: Toward a Literary History of the Welfare State
 
"This timely collection of essays should finally jump-start the English-speaking conversation about the work of Jacques Rancière, one of the most innovative political philosophers now writing. His method of equality, his contrast of a stable `police' order with `the political' as an interruption of that order by those invisible within it, and his idea that both politics and art involve modes of distributing/partitioning the sensible together form a unique constellation of radical political thinking."--J. M. Bernstein, New School for Social Research