Showing posts with label cultural marxism. Show all posts
Showing posts with label cultural marxism. Show all posts

Karl Marx's Political Writings: The Revolutions of 1848, Surveys from Exile, The First International and After (Vol. 1-3)

A shrinkwrapped three-volume set of Marx’s political writings: The key essays and texts on politics and history—including The Communist Manifesto, The Eighteenth Brumaire of Louis Napoleon, The Class Struggles of France, The Civil War In France and Critique of the Gotha Programme.

Karl Marx was not only the great theorist of capitalism, he was also a superb journalist, politician and historian. In these brand-new editions of Marx’s Political Writings we are able to see the depth and range of his mature work from 1848 through to the end of his life, from The Communist Manifesto to The Class Struggles in France and The Critique of the Gotha Programme.

The Revolutions of 1848: Political Writings
by Karl Marx

Edited by David Fernbach
Foreword by Tariq Ali

Volume 1 of Marx’s political writings, including The Communist Manifesto.

Volume 1: The Revolutions of 1848: Marx and Engels had already sketched out the principles of scientific communism by 1846. Yet it was from his intense involvement in the abortive German revolution of 1848 that Marx developed a profound practical understanding he would draw on throughout his later career. This volume includes his great call to arms—The Communist Manifesto—and also demonstrates Marx’s unsuccessful attempt to spur the German bourgeoisie to decisive action against absolutism. His articles offer trenchant analyses of events in France, Poland, Prague, Berlin and Vienna, while speeches set out changing communist tactics.


Surveys from Exile: Political Writings
by Karl Marx

Edited by David Fernbach
Foreword by Tariq Ali

Volume 2 of Marx’s political writings, including The Eighteenth Brumaire.

Volume 2: Surveys from Exile: In the 1850s and early 1860s Marx played an active part in politics, and his prolific journalism from London offered a constant commentary on all the main developments of the day. During this time Marx began to interpret the British political scene and express his considered views on Germany, Poland and Russia, the Crimean War and American Civil War, imperialism in India and China, and a host of other key issues. The Class Struggles in France develops the theories outlined in The Communist Manifesto into a rich and revealing analysis of contemporary events, while The Eighteenth Brumaire of Louis Bonaparte contains equally stimulating reflections on Napoleon III’s coup d’etat of 1851.


The First International and After: Political Writings
by Karl Marx

Edited by David Fernbach
Foreword by Tariq Ali

Volume 3 of Marx’s political writings, including The Civil War In France.

Volume 3: The First International and After: The crucial texts of Marx’s later years—notably The Civil War in France and Critique of the Gotha Programme—count among his most important work. These articles include a searching analysis of the tragic but inspiring failure of the Paris Commune, as well as essays on German unification, the Irish question, the Polish national movement and the possibility of revolution in Russia. The founding documents of the First international and polemical pieces attacking the disciples of Proudhon and Bakunin and the advocates of reformism, by contrast, reveal a tactical mastery that has influenced revolutionary movements ever since.


Karl Marx studied law and philosophy at the universities of Bonn and Berlin, completing his doctorate in 1841. Expelled from Prussia in 1844, he took up residence first in Paris and then in London where, in 1867, he published his magnum opus Capital. A co-founder of the International Workingmen’s Association in 1864, Marx died in London in 1883.




Tariq Ali is a writer and filmmaker. He has written more than a dozen books on world history and politics—including Pirates of the Caribbean, Bush in Babylon, The Clash of Fundamentalisms and The Obama Syndrome—as well as five novels in his Islam Quintet series and scripts for the stage and screen. He is an editor of the New Left Review and lives in London.







A Dictionary of Cultural and Critical Theory





Now thoroughly updated and revised, this new edition of the highly acclaimed dictionary provides an authoritative and accessible guide to modern ideas in the broad interdisciplinary fields of cultural and critical theory
  • Updated to feature over 40 new entries including pieces on Alain Badiou, Ecocriticism, Comparative Racialization , Ordinary Language Philosophy and Criticism, and Graphic Narrative
  • Includes reflective, broad-ranging articles from leading theorists including Julia Kristeva, Stanley Cavell, and Simon Critchley
  • Features a fully updated bibliography
  • Wide-ranging content makes this an invaluable dictionary for students of a diverse range of disciplines
The new edition reflects recent developments in the field; original contributions have been fully revised and over 40 new entries have been added. The bibliography – a major resource for the study of cultural and critical theory, has been thoroughly updated, as have the suggestions for further reading at the end of each section. The Dictionary reflects the remarkable crossing of many of the traditional boundaries separating disciplines of study, with all major strands of theory represented.

Entries include theoretical movements, such as deconstruction; the work of individual theorists, such as Noam Chomsky, Raymond Williams, Simone de Beauvoir, Julia Kristeva and Virginia Woolf; as well as important concepts, with a number of speculative or polemical essays. Lively in style and with a wide variety of content, this Dictionary is invaluable for students of literature, cultural studies, philosophy, and many related disciplines.

 "Recommended. Lower-division undergraduates through graduate students." (Choice, 1 May 2011)

"Thoughtfully structured and containing an impressive array of generally well-written entries, this book will be a welcome addition to the shelves of many reference collections." Reference Reviews

Michael Payne is Professor of English Emeritus at Bucknell University, USA. He is general editor for The Bucknell Lectures in Literary Theory (with Harold Scheizer, 12 vols., 1990–1995); author of Reading Theory: An Introduction to Lacan, Derrida, and Kristeva (1993) and Reading Knowledge:  An Introduction to Barthes, Foucault, and Althusser (1997); and editor of Renaissance Literature: An Anthology (with John Hunter, 2003), and The Greenblatt Reader (with Stephen Greenblatt, 2005) all published by Wiley-Blackwell.

Jessica Rae Barbera is a doctoral candidate in the English Department at the University of Pittsburgh. Her areas of specialization include Cultural and Critical Theory, British Modernism, Psychoanalysis, Literatures of Medicine and Science, Illness Narratives, and Memoir. She is the recipient of the 2009−2010 Andrew Mellon Fellowship, and is currently at work on her dissertation, The Medicalization of Pain: The Human in the 20th Century.



Cultural Marxism in Postwar Britain: History, the New Left, and the Origins of Cultural Studies (Post-Contemporary Interventions)





In this intellectual history of British cultural Marxism, Dennis Dworkin explores one of the most influential bodies of contemporary thought. Tracing its development from beginnings in postwar Britain, through its various transformations in the 1960s and 1970s, to the emergence of British cultural studies at Birmingham, and up to the advent of Thatcherism, Dworkin shows this history to be one of a coherent intellectual tradition, a tradition that represents an implicit and explicit theoretical effort to resolve the crisis of the postwar British Left.

Limited to neither a single discipline nor a particular intellectual figure, this book comprehensively views British cultural Marxism in terms of the dialogue between historians and the originators of cultural studies and in its relationship to the new left and feminist movements. From the contributions of Eric Hobsbawm, Christopher Hill, Rodney Hilton, Sheila Rowbotham, Catherine Hall, and E. P. Thompson to those of Perry Anderson, Barbara Taylor, Raymond Williams, Dick Hebdige, and Stuart Hall, Dworkin examines the debates over issues of culture and society, structure and agency, experience and ideology, and theory and practice. The rise, demise, and reorganization of journals such as The Reasoner, The New Reasoner, Universities and Left Review, New Left Review, Past and Present, are also part of the history told in this volume. In every instance, the focus of Dworkin’s attention is the intellectual work seen in its political context. Cultural Marxism in Postwar Britain captures the excitement and commitment that more than one generation of historians, literary critics, art historians, philosophers, and cultural theorists have felt about an unorthodox and critical tradition of Marxist theory.

 Dennis Dworkin is Associate Professor of History at the University of Nevada, Reno.

Cultural Marxism in Postwar Britain is exceptionally well written, lucid, and well organized—and simultaneously accessible and sophisticated, both in its own internal argumentation and in its rendering of often complex and difficult debates.”—Geoff Eley, University of Michigan

“There is nothing comparable to this book. It is an important addition to the literatures on British cultural studies, the history of Marxist thought, and the history of social historiography. Speaking particularly as a representative for scholars in cultural studies, I am happy to have this history finally told in such an effective and coherent way.”—Lawrence Grossberg, University of North Carolina, Chapel Hill