Showing posts with label Ernst Bloch. Show all posts
Showing posts with label Ernst Bloch. Show all posts

Radical Thinkers Classics: Minima Moralia, Culture and Materialism, For Marx, Aesthetics and Politics


Celebrating forty years of Verso Books, with new hardback editions.

Radical Thinkers Classic Editions is a selection of Verso’s leading titles, celebrating forty years of New Left Books and Verso. Hardback and embossed with foil, these are essential new editions of the highlights from four decades of uncompromising, radical publishing.


Aesthetics and Politics
by Theodor Adorno, Walter Benjamin, Ernst Bloch, Bertolt Brecht, and Georg Lukács

Afterword by Fredric Jameson

The most remarkable aesthetic debates in European cultural history, with an afterword by Fredric Jameson.

No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.


Culture and Materialism
by Raymond Williams

A comprehensive introduction to the work of one of the outstanding intellectuals of the twentieth century.

Raymond Williams is a towering presence in cultural studies, most importantly as the founder of the approach that has come to be known as “cultural materialism.” Yet Williams’s method was always open-ended and fluid, and this volume collects together his most significant work from over a twenty-year period in which he wrestled with the concepts of materialism and culture and their interrelationship. Aside from his more directly theoretical texts, however, case-studies of theatrical naturalism, the Bloomsbury group, advertising, science fiction, and the Welsh novel are also included as illustrations of the method at work. Finally, Williams’s identity as an active socialist, rather than simply an academic, is captured by two unambiguously political pieces on the past, present and future of Marxism.


For Marx
by Louis Althusser

A milestone in postwar Marxist thought, containing Althusser’s influential arguments on the epistemological break and anti-humanism.

This is the work in which Louis Althusser formulated some of his most influential ideas. For Marx, first published in France in 1968, has come to be regarded as the founding text of the school of “structuralist Marxism” which was presided over by the fascinating and enigmatic figure of Louis Althusser. Structuralism constituted an intellectual revolution in the 1960s and 1970s and radically transformed the way philosophy, political and social theory, history, science, and aesthetics were discussed and thought about. For Marx was a key contribution to that process and it fundamentally recast the way in which many people understood Marx and Marxism.

This book contains the classic statements of Althusser's analysis of the young Marx and the importance of Feuerbach during this formative period, of his thesis of the “epistomological break” between the early and the late Marx, and of his conception of dialectics, contradiction and “overdetermination.” Also included is a study of the materialist theater of Bertolazzi and Brecht and the critique of humanist readings of Marxism. Since his death in 1990, Althusser's legacy has come under renewed examination and it is increasingly recognized that the influence of his ideas has been wider and deeper than previously thought: reading For Marx, in its audacity, originality and rigor, will explain why this impact was so significant.


Minima Moralia: Reflections from Damaged Life
by Theodor Adorno

Translated by E. F. N. Jephcott

Adorno's literary and philosophical masterpiece, built from aphorisms and reflections.

A reflection on everyday existence in the 'sphere of consumption of late Capitalism', this work is Adorno's literary and philosophical masterpiece. Built from aphorisms and reflections, he shifts in register from personal experience to the most general theoretical problems.



The spirit of Utopia by Ernst Bloch





I am. We are.

That is enough. Now we have to start.


These are the opening words of Ernst Bloch’s first major work, The Spirit of Utopia, written mostly in 1915-16, published in its first version just after the First World War, republished five years later, 1923, in the version here presented for the first time in English translation.

The Spirit of Utopia is one of the great historic books from the beginning of the century, but it is not an obsolete one. In its style of thinking, a peculiar amalgam of biblical, Marxist, and Expressionist turns, in its analytical skills deeply informed by Simmel, taking its information from both Hegel and Schopenhauer for the groundwork of its metaphysics of music but consistently interpreting the cultural legacy in the light of a certain Marxism, Bloch’s Spirit of Utopia is a unique attempt to rethink the history of Western civilizations as a process of revolutionary disruptions and to reread the artworks, religions, and philosophies of this tradition as incentives to continue disrupting.

The alliance between messianism and Marxism, which was proclaimed in this book for the first time with epic breadth, has met with more critique than acclaim. The expressive and baroque diction of the book was considered as offensive as its stubborn disregard for the limits of “disciplines.” Yet there is hardly a “discipline” that didn’t adopt, however unknowingly, some of Bloch’s insights, and his provocative associations often proved more productive than the statistical account of social shifts.

The first part of this philosophical meditation—which is also a narrative, an analysis, a rhapsody, and a manifesto—concerns a mode of “self-encounter” that presents itself in the history of music from Mozart through Mahler as an encounter with the problem of a community to come. This “we-problem” is worked out by Bloch in terms of a philosophy of the history of music. The “self-encounter,” however, has to be conceived as “self-invention,” as the active, affirmative fight for freedom and social justice, under the sign of Marx. The second part of the book is entitled “Karl Marx, Death and the Apocalypse.”

I am. We are. That’s hardly anything.

But enough to start.

Who is Ernst Bloch ?

 Ernst Simon Bloch (German pronunciation: [ˈɛʁnst ˈziːmɔn ˈblɔx], July 8, 1885 – August 4, 1977) was a German Marxist philosopher.
Bloch was influenced by both Hegel and Marx and, as he always confessed, by novelist Karl May. He was also interested in music (notably Gustav Mahler) and art (notably expressionism). He established friendships with Georg Lukács, Bertolt Brecht, Kurt Weill and Theodor W. Adorno. Bloch's work focuses on the concept that in a utopian humanistic world where oppression and exploitation have been eliminated there will always be a truly ideological revolutionary force.



Life

Bloch was born in Ludwigshafen, the son of an assimilated Jewish railway-employee. After studying philosophy, he married Else von Stritzky, daughter of a Baltic brewer in 1913, who died in 1921. His second marriage with Linda Oppenheimer lasted only a few years. His third wife was Karola Piotrowska, a Polish architect, whom he married in 1934 in Vienna. When the Nazis came to power, they had to flee, first into Switzerland, then to Austria, France, Czechoslovakia, and finally the USA. Bloch returned to the GDR in 1949 and obtained a chair in philosophy at Leipzig. When the Berlin Wall was built in 1961, he did not return to the GDR, but went to Tübingen in West Germany, where he received an honorary chair in Philosophy. He died in Tübingen.

 

Work



Bloch's work became very influential in the course of the student protest movements in 1968 and in liberation theology. It is cited as a key influence by Jürgen Moltmann in his Theology of Hope (1967, Harper and Row, New York), and by Ernesto Balducci.
Bloch's Principle of Hope was written during his emigration in the USA, where he lived briefly in New Hampshire before settling in Cambridge, Massachusetts. He wrote the lengthy three volume work in the reading room of Harvard's Widener Library. Bloch originally planned to publish it there under the title Dreams of a Better Life. The Principle of Hope tries to provide an encyclopedic account of mankind's and nature's orientation towards a socially and technologically improved future.

 

Bibliography

 

Books

  • Geist der Utopie (1918) (trans.: The Spirit of Utopia, Stanford, 2000)
  • Thomas Müntzer als Theologe der Revolution (1921) (Thomas Müntzer as Theologian of Revolution)
  • Spuren (1930) (trans.: Traces, Stanford University Press, 2006)
  • Erbschaft dieser Zeit (1935) (Bequest of this Time)
  • Freiheit und Ordnung (1947) (Freedom and Order)
  • Subjekt-Objekt (1949)
  • Christian Thomasius (1949)
  • Avicenna und die aristotelische Linke (1949) (Avicenna and the aristotelian Left)
  • Das Prinzip Hoffnung (3 vols.: 1938–1947) (trans.: The Principle of Hope, MIT Press, 1986)
  • Naturrecht und menschliche Würde (1961) (trans.: Natural Law and Human Dignity, MIT Press 1986)
  • Tübinger Einleitung in die Philosophie (1963) (The Tübingen Introduction in Philosophy)
  • Religion im Erbe (1959-66) (trans.: Man on His Own, Herder and Herder, 1970)
  • Atheismus im Christentum (1968) (trans.: Atheism in Christianity, 1972)
  • Politische Messungen, Pestzeit, Vormärz (1970) (Political Measurements, the Plague, Pre-March)
  • Das Materialismusproblem, seine Geschichte und Substanz (1972) (The Problem of Materialism, Its History and Substance)
  • Experimentum Mundi. Frage, Kategorien des Herausbringens, Praxis (1975) (Experimentum Mundi. Question, Categories of Realization, Praxis)

 

Articles

  • “Causality and Finality as Active, Objectifying Categories:Categories of Transmission”. TELOS 21 (Fall 1974). New York: Telos Press

 

Further reading

  • Adorno, Theodor W. (1991). "Ernst Bloch's Spuren," Notes to Literature, Volume One, New York, Columbia University Press
  • Geoghegan, Vincent (1996). Ernst Bloch, London, Routledge
  • Hudson, Wayne (1982). The Marxist philosophy of Ernst Bloch, New York, St. Martin's Press
  • Schmidt, Burghard (1985) Ernst Bloch, Stuttgart, Metzler
  • Münster, Arno (1989). Ernst Bloch: messianisme et utopie, PUF, Paris



Source: http://en.wikipedia.org/wiki/Ernst_Bloch